Harry J Records, Kingston, Jamaica

• 20 input, 16 output console with space for four more channels
• 16 monitoring channels
• Weston light beam VU meters with a vertical scale
• Each channel had monitor, echo send, foldback, pan, solo and cut

The drop-in and drop-out worked both the tape machine and any Dolby noise reduction as well as transferring the foldback from sel-sync back to line.

You could monitor in mono in various combinations on the speakers, as well as in four channel and the more conventional stereo.

Source: Studio Sound - December 1973 page 33